History of the Vanderbilt Museum

History of the Vanderbilt Museum

History of the Vanderbilt MuseumWilliam K. Vanderbilt II – known to family and friends as Willie K. – loved the oceans and the natural world. In his sea-going global travels, he collected fish and other marine life, birds, invertebrates and cultural artifacts for the personal museum he planned to build on his Long Island estate.

Willie Vanderbilt exhibited thousands of the marine specimens he had gathered – one of the world’s most extensive, privately assembled collections from the pre-atomic era – in his own marine museum, the Hall of Fishes, which he opened to the public in 1922. Wings of the mansion house galleries of his natural-history and cultural-artifact collections, and the Habitat with its nine wild-animal and marine-life dioramas created by artisans from the American Museum of Natural History.

Today, the 43-acre waterfront Vanderbilt museum complex counts among its extensive collections (which total more than 30,000 objects) the mansion, curator’s cottage, a seaplane hangar and boathouse, antique household furnishings, rare decorative and fine art, the archives and photographic record of Vanderbilt’s circumnavigations of the globe, and published books of his travels.

Vanderbilt realized the potential for his sprawling estate to become a museum “for the use, education and enjoyment of the general public.” He established a trust fund to finance the operation of the museum and deeded it to Suffolk County, New York, upon his death in 1944. The county opened the museum to the public in 1950.

William K. Vanderbilt II

William K. Vanderbilt IIWilliam Kissam Vanderbilt [1878-1944], known as “Willie K.,” was born in 1878 and spent many of his earliest days sailing around the world on various yachts owned by his father. He was educated by tutors, attended St. Mark’s Preparatory School, and studied at Harvard.

When he was twenty years old, Willie K. met Virginia Graham Fair, known as Birdie. She was several years older than he and had been born in poverty. But by the time she met young Vanderbilt she was a wealthy young lady, for her father, nicknamed “Slippery Jim”, was one of the four “Silver Kings” of the rich Comstock Lode in Virginia City, Nevada.

On March 26, 1899, Willie K. and Virginia were married in a Roman Catholic ceremony in the conservatory of the bride’s sister in New York City. Her only jewelry, except the diamond clasps on her veil, was the pear-shaped pearl surrounded by rubies worn as a pendant, the gift of the groom. The couple intended to spend their honeymoon at Idle Hour at Oakdale but the house burned to the ground on their wedding night and they were forced to go elsewhere. They leased the Villa Belvoir at Newport that summer. Then, it was back to work in his father’s office in Grand Central Station, at least for a while.

Willie K. was an accomplished sailor and yachtsman. In 1900 he won the Lipton Cup trophy with his 70-foot yacht Virginia and was presented the award by Sir Thomas Lipton, who initiated the races. In 1904, Willie K. sponsored the first Vanderbilt Cup Race [for motor cars] at Long Island. Later he and a group of investors formed the Long Island Motor Parkway Corporation and built one of the country’s first modern paved parkways.

He served in the Navy during World War I, and was a lieutenant commander in the U.S. Naval Reserve.

After ten years of marriage and the birth of three children, the Vanderbilts separated. Birdie, however, did not file for divorce until April 1927. Willie K. was then at home in Passy, France, Birdie at a hotel in Paris. No alimony was requested, as Birdie had inherited many millions from her father and brother. And, John D. Rockefeller Jr. had recently bought her ornate Gothic residence on Fifth Avenue in New York City for $1,500,000.

In September following the divorce, Willie K. and Rosamund Lancaster Warburton, of Philadelphia, were married in a civil ceremony at the mayor’s office in Paris. Rosamund was born in Worcester, Massachusetts, in 1897. In 1919 she was married to Barclay Harding Warburton Jr., son of Major Warburton and his wife Mary Brown Wanamaker, daughter of the department store founder John Wanamaker, of Philadelphia. She divorced the year before her marriage to Willie K.

Willie K. owned a hunting lodge and preserve in Canada, a farm in Tennessee, a place at Fisher’s Island in Florida (complete with seaplane hangar, docking facilities, an eleven-hole golf course, each hole being named after one of his yachts, tennis courts, swimming pool, etc.), and the summer estate at Centerport, Eagle’s Nest. Willie K. died in early 1944 of a heart ailment; Rosamund died three years later, and the estate along with a $2,000,000 fund for its perpetuation, was left to Suffolk County, Long Island.

Vanderbilt Family Houses & Estates

1878-1879
William Kissam Vanderbilt, I (1849-1920)
Summer residence (destroyed by fire 1899)
“Idle Hour”, Oakdale, Long Island, NY
Richard Morris Hunt, Architect

1879-1882
William Kissam Vanderbilt, I (1849-1920)
Townhouse (demolished 1926)
660 5th Avenue, New York, NY
Richard Morris Hunt, Architect

1879-1882
William Henry Vanderbilt, I (1821-1885)
Margaret Vanderbilt [Mrs. Elliott Fitch] Shepard (1845-1925)
Emily Vanderbilt [Mrs. William Douglas] Sloane (1852-1946)
3 Townhouses (“The Triple Palace”)
640 & 642 5th Avenue and 2 West 52nd Street, New York, NY
John Butler Snook, Architect

1879
Eliza Vanderbilt (Mrs. William Seward) Webb (1860-1936)
Townhouse
680 5th Avenue, New York, NY
John Butler Snook, Architect

1879
Florence Vanderbilt (Mrs. Hamilton) Twombly (1854-1952)
Townhouse
684 5th Avenue, New York, NY
John Butler Snook, Architect

1882-1883
Florence Vanderbilt (Mrs. Hamilton) Twombly (1854-1952)
Summer residence (purchased 1896; now McAuley Hall, Salve Regina University)
“Vinland”, Newport, RI
Peabody & Stearns, Architect
www.salve.edu

1882-1894
Cornelius Vanderbilt, II (1843-1899)
Townhouse (demolished 1927)
1 West 57th Street, New York, NY
George B. Post, Architect

1886-1887
George Washington Vanderbilt, II (1862-1914)
Townhouse
9 West 53rd Street, New York, NY
Richard Morris Hunt, Architect

1886-1901
Emily Vanderbilt (Mrs. William Douglas) Sloane (1852-1946)
Summer residence (now private)
“Elm Court”, Lenox, MA
Peabody & Stearns, Architects

1888-1892
William Kissam Vanderbilt, I (1849-1920)
Summer residence
“Marble House”, Newport, RI
Richard Morris Hunt, Architect
www.newportmansions.org

1888-1895
George Washington Vanderbilt, II (1862-1914)
Country house
“Biltmore”, Asheville, NC
Richard Morris Hunt, Architect
www.biltmoreestate.com

1888-1899
Eliza Vanderbilt (Mrs.William Seward) Webb (1860-1936)
Country house
“Shelburne House”, Shelburne, VT
Robert H. Robertson, Architect
www.shelburnefarms.org

1891
Frederick William Vanderbilt (1856-1938)
Summer residence
“Rough Point”, Newport, RI
Peabody & Stearns, Architects
(remodeled by Horace Trumbauer, Architect, for James B. Duke)
www.newportrestoration.com

1892-1895
Cornelius Vanderbilt, II (1843-1899)
Summer residence
“The Breakers”, Newport, RI
Richard Morris Hunt, Architect
www.newportmansions.org

1894-1895
Margaret Vanderbilt (Mrs.Elliott Fitch) Shepard (1845-1925)
Summer residence (now Sleepy Hollow Country Club)
“Woodlea”, Scarborough, NJ
McKim, Mead & White, Architects

1896-1899
Frederick William Vanderbilt [1856-1938]
Country house (now Vanderbilt Mansion National Historic Site)
“Hyde Park”, Hyde Park, NY
McKim, Mead & White, Architects
http://www.nps.gov/vama/

1894-1897
Florence Vanderbilt (Mrs. Hamilton) Twombly (1854-1952)
Country house (now Administration Bldg., Madison Campus, Fairleigh Dickinson University)
“Florham”, Convent Station, NJ
McKim, Mead & White, Architects
http://view.fdu.edu/?id=196

1899-1903
William Kissam Vanderbilt, I [1849-1920]
Country house (now Dowling College)
“Idle Hour” (2), Oakdale, Long Island, NY
Richard Howland Hunt, Architect
Warren & Wetmore, Architects
www.lihistory.com

1902-1904
William Kissam Vanderbilt, II (1878-1944)
Summer residence
“Deepdale”, Great Neck, Long Island, NY
Horace Trumbauer and Carrere & Hastings, Architects

1905
William Kissam Vanderbilt, II (1878-1944)
Townhouse
666 Fifth Avenue, New York, NY
McKim, Mead & White, Architects

1910-1936
William Kissam Vanderbilt, II (1878-1944)
Summer residence
“Eagle’s Nest”, Centerport, Long Island, NY
Warren & Wetmore, Architects
Ronald H. Pearce, Architect

1915
Virginia Fair Vanderbilt (1878-1935)
Country residence
Jericho, Long Island, NY
John Russell Pope, Architect

1920s
William Kissam Vanderbilt, II (1878-1944)
Winter residence
Fisher Island, FL
www.fisherislandclub.com/History

1925
Harold Stirling Vanderbilt (1884-1970)
Summer residence
“El Solano”, Palm Beach, FL
Addison Mizner, Architect

1930
Harold Stirling Vanderbilt (1884-1970)
Summer residence
“Villa Lantana”, FL
Treanor & Fatio, Architects

Eagle's Nest

The Eagle’s Nest mansion is unusual for estate architecture on Long Island because of its Spanish design, a style that is seldom seen in the region. The palatial, Spanish Revival style is actually less “Spanish” than it is a personal evocation of Vanderbilt’s Mediterranean impressions as interpreted by his architects during a period of estate building that lasted over twenty-five years. With the requisite red tile roof, stucco facades and central courtyard, the ironwork by Samuel Yellin, the foremost iron artisan of his day, is the final element characterizing this style.

Two building campaigns followed the original construction of the house, transforming it into the extensive mansion complex that visitors see today. Each was prompted by incidents in Vanderbilt’s life, the first by his inheritance of $21 million after his father’s death in 1921 and subsequent marriage to Rosamund Warburton in 1927, and the second by the tragic death of his son Willie K. III in 1933. A visit to the Eagle’s Nest mansion today provides visitors a glimpse at the life of William K. Vanderbilt II through the estate that memorializes his legacy.

The mansion was begun in 1910 as a modest bachelor’s retreat, built at a comfortable distance from the legendary concentration of Gold Coast estates located closer to New York City. The original bungalow was perched high above Northport Bay where a boathouse and wharf accommodated Vanderbilt’s greatest passion, sailing. His other passion, motor car racing, is represented on the estate by the two-story automobile garage (now the museum’s Education Center) and by a large revolving turntable located on the lower level of the Memorial Wing, where Vanderbilt’s custom-built 1928 Lincoln touring car is displayed.

Warren and Wetmore: Architects of the Vanderbilt

Whitney Warren (1864-1943) was a cousin of the Vanderbilts. After deciding to study architecture in 1883, he enrolled at Columbia University but stayed for only one year. In 1884, he left for Paris to attend the Ècole des Beaux Arts and remained for ten years, studying under Daumet and Girault. Warren returned to New York in 1894 and, with characteristic resourcefulness, convinced one of his first clients, a lawyer named Charles Wetmore (1867-1941), to become his partner. The new firm’s bid for recognition came in 1899 when the New York Yacht Club (an organization familiar to William K. Vanderbilt, II) held a competition for a new clubhouse. Warren & Wetmore received the commission, and as a result, established their reputation in New York.

Almost immediately, the firm was engaged as architects for the New York Central, Michigan Central and Erie and Canadian Northern Railroads. They were responsible for the design of the entire Grand Central Terminal Group, which began with the design of the Grand Central Station (1903-1913) and ended with the New York Central Office Building [1928]. The complex included several Vanderbilt-financed hotels, among them the Vanderbilt (1911), the Biltmore (1912) and Hotel Commodore (1919).

Considering these associations with the Vanderbilt family, it is reasonable to attribute the 1910 design of “Eagle’s Nest” to Warren & Wetmore, although documentary evidence has yet to be found that confirms this attribution. Stylistically, the original buildings on the estate did resemble some of the early work that the firm produced on Long Island, such as the outbuildings for Clarence MacKay’s “Harbor Hill” in Roslyn (1904). In addition, although no records have been located for the first phase of the mansion’s construction, later blueprints and drawings confirm that the firm was commissioned in various capacities from 1926 until 1930. During this period, Warren & Wetmore also designed the Deepdale Golf and Country Club in Great Neck (1926) for William K. Vanderbilt II. It was also in the “Spanish” style.

Ronald Hoyt Pearce: Vanderbilt Architect

Little is known about Ronald H. Pearce. His name first appears in the archives of the museum in correspondence dating from 1922 between the architectural firm of Warren & Wetmore and William K. Vanderbilt. The subject of the letter is the construction of the walls along Little Neck Road. In 1923, Vanderbilt wrote to Pearce in care of Warren & Wetmore concerning the pool and other matters. Other correspondence dealing with numerous contractors such as interior decorative painters and changes to the power plant document his involvement with improvements at “Eagle’s Nest” until 1930.

Published sources about Pearce are equally elusive. The first that appears in connection with the Vanderbilts is an article by Pearce for the Architectural Record (December 1926), which describes the newly completed Deepdale Golf and Country Club in Great Neck (Warren & Wetmore, Architects). The article is meticulously complete with regard to the building, but offers little editorial comment about the architecture or the architects. In 1928, a New York Times article refers to a piece by Pearce that had appeared in the Journal of the American Institute of Architects about the reconstruction of the Library of the University of Louvain in Belgium. Also dating from 1928 is a Town and Country article entitled “A Rambling Spanish House on Long Island” in which the author states that William K. Vanderbilt had “sent Mr. Ronald Pearce to Spain to study the architecture of the different parts of the country” and that “the result of this profitable journey is a coordination of the different architectural expressions found in the North and the South of Spain into the attractive, rambling composition which is “Eagle’s Nest” on Northport Harbor.” The article thus implies that the altered and enlarged summer estate, which was transformed from a “four-room English cottage, useful for week-end visiting” into a Spanish-inspired mansion and complex of numerous other buildings, was quite possibly the work of Ronald H. Pearce.

From the museum’s archive of architectural drawings, Pearce’s name appears for the first time on an architectural drawing proposing an addition to the Hall of Fish. A Town and Country article in 1937 credits Pearce with the original design for this building (1922), although the earlier drawings have not survived. In all probability, Pearce had begun working on the “Eagle’s Nest” project in the early 1920s and continued as Warren & Wetmore’s architect for the estate after the retirement of Warren from architectural practice in 1931. His drawings for the Memorial Wing and other alterations to “Eagle’s Nest” indicate that he was a competent Beaux Arts architect with dramatic flair. Most importantly, he was skilled at designing additions and alterations that harmonized with previously built sections of the estate.

Ronald Hoyt Pearce maintained an office in New York City at 11 East 44th Street between 1932 and 1940.

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